Fuller’s ideas of ephemeralization (or simply “doing more with less”) as well as his exploration of communication through geometry go well beyond doodling with cardboard.
Friday, September 7, 2007
A Flattened Geodesic Dome for R. Buckminster Fuller
Fuller’s ideas of ephemeralization (or simply “doing more with less”) as well as his exploration of communication through geometry go well beyond doodling with cardboard.
Tuesday, August 28, 2007
With the Right Kind of Eyes Hunter S. Thompson Can Almost See the High-Water Mark
Raymond Queneau is to Francois Truffaut as Italo Calvino is to Federico Fellini
Marcel Duchamp Sees in Three Dimensions, With One Eye Tied Behind His Back
Lenny Bruce Pulls the First Amendment From Out of His Sleeve
Where the Wave Finally Broke and Rolled Back
A Story of the Invention of the Modern as Told Through Cardboard.
It is the amateur that inspires me. The tinkerer, the scribbler, the doodler. It is truly inspiring when someone of this ilk elevates their craft to the level of professionalism without losing the fragile, homemade, hands on approach with which they first began. At a time when craftsmanship is dying, I wanted to draw attention to those in the world that have eschewed separation between high and low art, between maturity and naiveté, between Arts and Crafts. Using reclaimed materials allows me to take away the pedestal that separates artist from viewer, and reminds people that anyone can make something remarkable. The greatness of an individual lies in their ability see things completely differently than any other individual. Those that step out of line a bit remind us that art and life belong to us.
Thanks: Dad, Mom, Robby, Beth Connor, Osie G. Bonn, Thaddeus and Patricia Dobry, Bob Bonn, Donna Cox, Sally B. Bonn, David Merulla, Regina Wade, Amy Wade, John Dutterer, Dwayne Whitis, Pat Cisna, A. Jason Ross, Jason Laub, Oliver Baranczyk, Kris Varsa, Rob Porter, and Leah Chamberlain. Thanks and apologies to all named in titles and pictured and to Albert L. Jones and Oliver Long.
It is the amateur that inspires me. The tinkerer, the scribbler, the doodler. It is truly inspiring when someone of this ilk elevates their craft to the level of professionalism without losing the fragile, homemade, hands on approach with which they first began. At a time when craftsmanship is dying, I wanted to draw attention to those in the world that have eschewed separation between high and low art, between maturity and naiveté, between Arts and Crafts. Using reclaimed materials allows me to take away the pedestal that separates artist from viewer, and reminds people that anyone can make something remarkable. The greatness of an individual lies in their ability see things completely differently than any other individual. Those that step out of line a bit remind us that art and life belong to us.
Thanks: Dad, Mom, Robby, Beth Connor, Osie G. Bonn, Thaddeus and Patricia Dobry, Bob Bonn, Donna Cox, Sally B. Bonn, David Merulla, Regina Wade, Amy Wade, John Dutterer, Dwayne Whitis, Pat Cisna, A. Jason Ross, Jason Laub, Oliver Baranczyk, Kris Varsa, Rob Porter, and Leah Chamberlain. Thanks and apologies to all named in titles and pictured and to Albert L. Jones and Oliver Long.
An Overheard Conversation Between Truman Capote, Henri Cartier Bresson and Frank O. Gehry

Truman Capote appeals to my sense of simple storytelling. Harper Lee is owed a nod as well, as the two are the first couple of modern American literature. Bresson’s source photograph has always appealed to me as a portrait of Capote straddling the divide between on-the-town literary celebrity and Scout Finch’s tagalong companion Dill.
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